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Chuck Close Fingerprint Portraits

1/16/2018

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Since I am home on a snow day (yesterday AND today) I decided to update my blog. Wow. I have let a lot of great projects go undocumented. Part of the problem stems from the fact that I moved from K-4 in 2014 to a middle school. I now have 6 classes a day and WAY less time to blog. Another factor for some of the posts I am finally sharing never being shared is that we got new computers and I got a new iphone around the same time. That meant that a lot of stuff got backed up on an external hard drive never to be seen again. Until today. 

This is one of those stunning projects that was a huge 'WOW' in the cafeteria but I never shared it here. The portraits were 18X24, which meant they were a huge storage issue at the time, but since we did them at the end of the semester, it wasn't as huge of an issue. 

The lesson was almost completely taken from the blog Frecklephoto. She inspired almost every element, which is good, because there are many details I can't remember. More here. More here. And here. My students did this lesson in December 2014, and I haven't tackled it since. 
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 From what I remember, I took photos of every student on an iPad and uploaded them on my computer. I converted each one to black and white, bumped up the contrast and printed them off so they were roughly 8X6 (I think). Since I took each student's photo, I encouraged them to look pleasant, not show their teeth and have their eyes open. We learned a lot about Chuck Close through videos and the images on my smore flyer. 

It was labor intensive before we actually started to get them all prepped. Meanwhile, students practiced grid drawing on a couple of worksheets. They also used the practice handout of the portrait to practice stamping different values with one finger. I made up my own based on the example on Frecklephoto, you will see it below. I will try to scan it and add to this post when I get back to school. 

Perhaps the hardest part of the project was drawing their portraits using the grid drawing method. No. I take that back. Using a ruler was the hardest part. We had to use yard sticks because the paper was so big and lots of kids needed help holding it down to measure their 18X24 paper and then LIGHTLY trace the pencil lines with a ruler. This took two art days. Students also had to draw a small grid with a regular ruler on their printed photo so that it would correspond with the big paper. We had a really hard time erasing the pencil lines, as you can see from some of the examples....but all well. 

The finger printing on the face didn't take too long.....and for the background, we made a 2nd 18X24 grid and painted it with tempera cakes. We were rushed to finish right before Christmas break, so the last step was cutting out the portrait and gluing it down to the dry painting, or as some classes had to do, onto the still-wet tempera-cake paint. 

Before Project: Photograph each student, convert and print
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Day 1 
Learn about chuck close. Practice grid drawing. (elephant grid drawing)

Day 2
Draw grid on photo. Draw grid on 18X24 paper. I made a video to explain the grid drawing method. I could tell they were bored when it got to the big paper because it is hard to see my lines. 

Day 3
Finish drawing grids. Begin lightly sketching features on big grid using grid drawing method.

Day 4
Practice making values on handout with black paint. Make a value scale. 

Day 5
Catch up Day. Finish all grids, everyone finish practicing values. Finish sketching all faces on papers. Begin drawing grid on 2nd 18X24 paper. Name on it. 

Day 6
Fingerprint stamp 18X24 portrait. 

Day 7
Paint 18X24 background paper (some need to finish fingerprint stamping their portrait)

Day 8
Cut out portrait and glue it to the background. (Finish painting!!)

Supplies
18X24 paper (2 per student)
printed photos of each student
pencils and erasers
yard sticks
rulers
black paint
copies of practice portrait
tempera cake paint
scissors 
glue​
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Seriously some of them were so bad, they were funny.
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I have searched and search for more photos of the finished portraits or of the cafeteria display. Unfortunately, I cannot find any other photos of the student's work. I took 3 to an art show, but I think we had several snow days that year so I might not have photographed them in the school....bummer, there were some great ones. This project took up a ton of space but I LOVE having students work BIG. 
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Radial Portraits 

10/27/2015

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When a friend asked if my students could have artwork ready for a group show by September 11th, I thought, NO PROBLEM! We started back to school on August 10th, of course we would have time to finish.

For whatever reason, I designed a project that took WAY longer than I thought it would, so I felt like I was rushing my students to finish at the end so I could send artwork to her show, but it is just such a great project that I have to share!

This project has a little bit of everything----self-portrait, photography, radial balance, zentangle, high contrast, color mixing, and even splatter painting.

I only did the large version with my 6th graders, but it could be adaptable for slightly younger, and would be perfect for older students too. I did a smaller version with my 5th graders on coffee filters which turned out great too--look for the post on that one soon!

And without further ado, I will attribute the concept for this lesson to the wonderful and talented Kathy Barbro at Art Projects for Kids. Her Mona Lisa version is great! 

Materials: 
18" Color Diffusing Circles 
Thick and Thin Sharpies and fat black permanent markers
Liquid watercolor paint in primaries
Eye droppers
Metallic paint
Lightboxes or overhead projectors
Black-and-white high contrast photos printed for each student (on copy paper)


Day 1
Initially, I choose to introduce the idea of Zentangling. I realized that my students had never done any 'structured doodling' and it was such a calm and relaxing way to start the week. Did you know that there are 3-hour relaxing music videos on youtube? We listened to the calming music while we drew. 

Students made zentangled bookmarks with skinny and fat sharpies. It was great that many of my 6th graders did mini-optical illusions that we practiced last year in their designs. 

When they were done or almost done with their bookmarks (one-day project), I distributed one iPad mini to each table and explained how to, take a selfie---as if they needed any explanation!

I tried to encourage them NOT to show their teeth and make sure they had decent lighting.  I explained the basics of converting the image to black and white and they shared the photo with me on google drive. I had previously signed in to google drive on all of my devices (with an art teacher account, created just for the purpose of organizing student artwork). Students simply had to upload their photo to my google drive account so that I could print the photos. It was a painless process---why didn't I figure this out ages ago! 

Note: I imported all of their images to iPhoto and edited them in one big batch so that the contrast was accelerated----making much darker blacks and very little grey with the white so that students could have 'Warhol'-like images to work from. I printed them 2-per 8X11 copy paper and it was a great size for this project. I realized that students with blonde hair turned out a little better if they had a darker back ground and vice versa---in a white wall room, it was tricky but we managed. 

If you don't have time to take the photos the day of Zentangling, give yourself another day or two to get the photos printed, since someone is always absent. 

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FYI: I have started doing TAB Fridays--utilizing art centers each week, giving my students tons of free choice. After introducing zentangling, one boy grabs me and says: 'Mrs. Mitchell, we made a timelapse of a zentangle bookmark.' OMG! So proud!! 
Day 2-3
TRACING?! Yes, its true. For this project, I explained that we would be 'transferring' the portrait 4 times, on the radial 'mandala', so the best way to maintain consistency would be to TRACE the face with a sharpie--no pencils allowed. I pre-folded the circles before passing them out to the students and emphasized the idea that this is a CIRCLE, the image will be repeated, so don't trace your face once in the middle, think of it more like a piece of pizza with your pepperoni-face on each slice-HA!  

Since the images were converted to the stark contrast, I encouraged them to ONLY trace the 'black' shadows and shapes on their faces. Some kids did not heed my warning, and they tried to freehand their eyes and noses---which made them look a LOT like Quazimodo (no one knows who that is anymore!) and some of those were a little messed up looking. 

Also, I encouraged them to SHADE some things in with fat black permanent markers (after moving the photo to the side--don't keep it under while shading, as the fat black markers ruined a few photos). The diffusing circles were so thin that even though we had cover sheets on the table, some tables were destroyed with marker ink---and it is STILL there, weeks later. 

Students had to decide if they wanted the portraits to be mirror images, all 4 'sections' exactly the same, or if they wanted a 'reflection' on the bottom---which they could achieve if they traced the 'traced' version on the top of the design. Confused? Me too. But we got through it. 


Some students were introduced to OLD SCHOOL overhead projectors for the first time. Most of the projectors were on their way to the dumpsters, but I rescued the bulky machines and gave them a 2nd life for this project.  They make perfect light boxes. I set up 4 stations around the room. 

Some students could see their photo through the BIG 18" Color Diffusing circles without using a light box, but I was so glad to have them for this project, as they really helped with the tracing process. Royolco makes a 9" color diffusing circle, but the 18" version is great for this project because the photos fit around the circle 4 (or even 6 if the photo was small) times.  ​

The tracing took longer than I thought it would---some students needed  two or three art days to transfer their face to the diffusing circle multiple times. 

At the end of one of those class periods, I showed a little bit of this video about Mandalas and explained how they are created with sand by monks. Students were really intrigued. ​
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Day 4 and 5
Explain how to Zentangle around the portrait. In my demo, I show students how I made a 'good' vs. 'evil' version of myself. They really took to this concept. I also had a seat work prompt on the board asking them how an artist could reveal their identity in a self-portrait.  Students shared great ideas about using symbolism, special colors, and even words to share more about their personality in their work of art. It was a great discussion and many great ideas were generated. This was a LARGE project for many students, I really should've given them another day to draw with the sharpies, but like I said, I was on a time crunch and a deadline. ​

I also pulled out rulers, circle templates and french curves to help them finish up the zentangles. 

When students were zentangling, I had handouts on the tables for them to look at to see examples of 'structured' doodles. Those were tremendously helpful---students had to branch out from their typical polka dots, and they had to create smaller sections within the pie pieces to put the doodles in. ​Many girls zentanlged their hair which turned out cool. I had a coloring sheet that was super helpful in this visual. 

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Day 6
Painting using liquid watercolors. 

Any tips for distributing liquid watercolors?

I had quite a bit of stress the day that we painted because the pictures were a little too big for my drying wracks and I had to be the one to pass out all of the paint and pick it up from each table at the end of each class. It was so stressful. Some students really needed one more day to draw---so I felt like I was rushing them to PAINT today! While I picked up all of the paint sets, and refilled them as students used up the colors rather quickly, students had to find a spot in the room to put their gait paintings to dry. 

In the future, I would probably call a few students a time to a painting station---but the deadline loomed---I needed enough portraits DONE and DRY by 10:00 a.m. on Friday so that I could send them to the show----that also meant getting to school super early to pull previous day's paintings out of the drying wrack and quickly making labels for the ones that went to the exhibit. 

One thing I learned, with color diffusing paper, make sure students have paper under their project, and they don't lift the paper off until after the artwork is dry because the water and paint spread out and fade, making the color way less vibrant.

Also, I ended up watering down the paint after the first class because they were almost TOO vibrant, and some of the drawing was swallowed up in the intensity of the liquid watercolor. 

For this project, students used eye droppers to distribute the liquid watercolors onto the color diffusing paper. I gave them magenta, turquoise, and yellow, and reviewed the basics of the the color wheel quickly. I demonstrated how to squeeze droppers-full of paint onto the circle. Be careful not to try to soak it too much, once it is saturated, that is pretty much it---more doesn't mean more, it just means a runny mess. 

As a finishing touch, students could 'splatter' paint with metallics: gold, silver, or copper paint---but they had to do that very last. 

Some of the splattering looked amazing. Some looked like big snot blobs right on their faces. Some completely covered all of the drawing they had done, rendering all of their hard work completely pointless.

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Good Vs. Evil---made herself a little devil!

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Love this one! Nature Vs. Art---So good! 

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Little too much splatter. 

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Final tip--have students write their name on the front, along the edge, anything written on the back shows through to the front. 
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2nd week of art: A kindergarten 'Script'

8/7/2013

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The past couple of years, I briefly remember how much crying goes on in Kindergarten...and then I quickly forget after the first day of school. Since so many kids are now in preschool, the first day is much easier, without many tears from students (I often see blurry-eyed parents dashing out the door).

But after that first weekend at home, kids realize that school is real and they have to go every day....and I always see way more crying the first Monday after the weekend.

And if their first day of art is on that Monday, I QUICKLY remember how much crying goes on in Kindergarten. This year was no exception.

There was so much crying this year. SO MUCH!

Kids cry because they miss their mommies...they cry because they wanna go home...they cry because they ran out of time to make something they really, really wanted to make...they cry because someone is mean to them....they cry because they can't cut good or their drawing is all scribbly, after they did it that way last week.

It is exhausting and it is hard to make the lesson fun when someone is wailing and refuses to go to the safe spot, refuses to hold the little 'calm down bear' I keep in my room just in case such a situation arises...but with this trusty script, I am able to keep the plan moving and try to barrel forward with lesson regardless of Moaning Mertle Missing her Mommy.

I hope I don't sound hopelessly impatient. I promise, I'm not...but after doing this lesson over 60 times, it is hugely successful for the second week of school, even with a few criers here and there.

When students walk in to art, I remind them to find their chair from last week. If they cannot remember or they were not here, wait at the front and I will help them once I close the door.

To read the first week of art script/lesson plan, click here. 

Once students are seated, I go around the room with the seating chart I wrote down last week. I say, 'I'm going to point to you and say your name...if I get it write, just smile at me, if I get it wrong, help me say it right or if you are in the wrong chair, I can help you find the right one.'

After checking the seating charts, I remind them of my name. Then I point out the color chart at the front of the room and begin writing stars. I take 30 seconds to remind them how they can earn stars by being good listeners at the beginning and by doing a good job of cleaning up at the end. Then, I have them all point with me to each of the three places in the room with the 'hands off' symbol.

I quickly demonstrate how to draw a person on the board, since I showed them last week, they should remember how we did it, but sometimes there are new students in the room who have no clue what is going on.

I explain that I will hand back their drawings with the sharpie markers. If they forgot to trace their name or they forgot to trace their eyes or they wanted to draw a few more details, take just a second to do that with the maker...if they don't need the marker, they can leave it on the table and I will hand them the crayon basket.

I demonstrate how to find a skin color, hair color and shirt color and I literally color each one of those things on the drawing that I made last week. I say, 'Don't just take a green and scribble everything in green, do your very best coloring, making this look just like you.'

In order to demonstrate this step, I drew myself in front of every class and I saved my version in the class boxes so that I could continue the demonstration this week.

I point out my finished examples hanging on the board and explain that I am going to stop coloring mine and show them how to cut it out. I point to a big red bucket and explain that I will put this on their table after they have had a few minutes to color...they can grab a pair of scissors from the bucket and use them to cut out their drawing. This is a good time to remind them about scissor safety: don't cut clothes, skin, hair, only cut your paper.

If someone has a lot of fear about cutting, I demonstrate drawing an oval around one of my sample drawings...and tell them they can cut on the oval. If someone feels confident about cutting, they can cut on the black outline, but I suggest everyone 'shadow' cuts their paper.


Each example of cutting: oval drawn around, shadow cutting, and cutting right on the line

I say, ' Now shadow cutting means you cut it out, but you leave a white outline or 'shadow' around the outside edge of your drawing....last week, a boy wasn't shadow cutting, he was cutting right on the outline and you know what he did? He cut his head right off!....now if you are cutting and you accidentally cut off something important like your head or arm...its okay, don't cry (did I mention that there is a lot of crying in kindergarten?!)....don't cry, just save your arm or head (I am saying all of this as I shadow cut out my example).....and I can fix it. All of your scraps and trash can go into the red scissor bucket on your table.

Now, mine is cut out, I'm also going to snip off this strip that has my name on it. You will grab your drawing, your name and anything you accidentally snipped off and you will bring it to the front.....'

I shuffle across a big red paper taped to the board...."This says 'Mrs. Smith's Class'....when you come up to the front, I am going to ask you, "Keegan, where do you want to go? James, where do you want to go? And you will tell me, near the baby blue cardinal, near the title, or near a friend, and I will glue you on to this big red paper. This paper is a mural, say that with me, MURAL...good!
 kindergarten mural

Now, when your teacher arrives at the end of art, I will surprise her with this beautiful creation and she will LOVE IT! She will say, 'OH, I LOVE IT, IT IS SOOOO BEAUTIFUL!"
first grade 'super' mural

'Now when I get done gluing you to the big red paper, you can go back to your chair," I shuffle back to the other side of the board. 'Since I am keeping the big drawing we did last week for your mural, I want to give you a chance to make something to take home today. I showed you how to draw yourself on a big paper, today you get to draw yourself on a little and small paper. In the red bucket with the scissors, there are some small pieces of paper.

Grab one and draw yourself again, the same way we did last week (I demonstrate as I talk). Head, body, details, you can use a sharpie or a pencil. Then color it, just like the big one, skin, hair clothes colors. Then cut it out. Then in the bottom of the red bucket are some craft sticks. You will be taking your mini-you and gluing it to a craft stick....this way, it becomes a PUPPET! (Lots of oohs and ahs!)

I demonstrate how to put a big dot of glue at the top of the stick, then press the puppet's legs onto the glue dot and hold, counting to 30 (or as high as they can). I do the wiggle test, if the puppet stays, it will be on there for ever, if it falls off, press it to the glue and hold a little longer.

'Now, if you make your puppet like mine...(I show them a really good one I made), you may have time to make a friend. This is my student.' I put on a little puppet show for them using puppet voices: "Hi Mrs. Mitchell, what are you doing today?" "Oh, just getting ready to go make some art." "ooh, can I come, that sound fun!" "Sure, here we go!" "doo do do do do do!"


This is Michael Jackson's ghost...You know, Michael Jackson, he died? This is his ghost.
By this time, the students are so excited to make their puppets, they are dreaming up ideas for their 'friend' puppet...I tell them they can make baby brothers, mom, dad, cat, dog, teacher, whomever they want to put on a show with.


Then I pass out the drawings, sharpies, crayons, scissor buckets...staggering each item so that students have a chance to work with each thing in between otherwise they will just grab the scissors and start hacking it up without coloring it. I go around and help make a big oval for students that might have trouble cutting. Once students start bringing me their picture for the mural, I remind them to go make their puppet.

Then, with less than 15 minutes left, I pass out the glue. I put two glue bottles on every table so kids have to share. I have found that by restricting their time with the glue, I force them to take longer on each puppet, and they make fewer messes (there are still some messes though). Also, I wait until I have every big drawing glued to the mural before I pass out the glue, it helps me keep track of who hasn't gotten theirs on yet.

Just like the first week, I give the 'ONE MINUTE WARNING', flash off the lights and count the stars. When students line up, I have them take their puppets.

"Hold up one puppet, we are going to do a mini puppet show in line....now use your best puppet voice to repeat after me: S-M-I-L-E'. Good. Now on the count of 3, we are going to have a puppet dance party, here we go: '1.2.3.DANCE.DANCE.DANCE.'

'Now stop. On the count of 3, puppet rodeo....on the count of 3...puppet floating in space...puppet swimming...puppet karate...(I do two or three until we are out of time and the teacher is waiting in the  hall.)

'Now, look at your puppet and say 'shhhhh, puppet be quiet in the hall'.....now tuck your puppet in somewhere safe...remember, no puppet shows in the hall, we just had a fun one! When you get to the room, put your puppets somewhere safe, like your cubby, backpack or folder, where ever your teacher tells you and then when you get home, you can put on a puppet show for your mom, dad grandma, cat, dog, baby brother or sister.'

At that time, I quietly open the door, reminding students to show me their smiles...and I hand the teacher their mural where she oohs and ahhhhs......


In between each class, I take all of the trash from the buckets, refill them with more sticks, and puppet papers and I organize the glue, sharpies, and crayon baskets so that they are easy to distribute for the next class. I quickly grab the next 'mural' paper and hang my example for the next class on the board. I determine if anyone was absent in the next class and make sure I am ready to find them a chair, since it will be their first time in art, and I make sure I have an extra paper ready for them. I quickly glance over the seating chart and try to memorize at least a few names so I can call on them during class.


For kindergarten, I get a wide variety of finished outcomes...even though I do a directed drawing the first week. This project teaches me much about my students and where they are developmentally.



I do basically the same lesson for first grade, but first grade classes are 10 minutes longer so I set up my art easel, shut off one row of lights and use it as a puppet stage. The kids love going up to the front to put on a mini show for the class.


Also, I have the 1st graders draw themselves as super heroes for the mural, with magic pens and paintbrushes, capes and masks....it is a fun change for me since I do the lesson so repetitively!

Supplies needed for this lesson: 6X12 drawing paper (from week before), sharpies, crayons, scissors, glue, craft sticks, small white paper for puppets You can see week 1 here!
You can see my 'script' for the 1st week of art here. 
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Kindergarten Art: 1st Day of School

8/7/2013

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Ah, the first day of school.

Many teachers do some sort of fun project using letters or first names...but since I have eleven classes of kindergarten, I have way too many little five- (and just barely five) year-olds to get away with anything that involves writing names. So many of my students come to school not knowing how to write their name, and some can't even identify any letters, let alone write them.

It is challenging to find the perfect lesson for the first day. My mentor teacher came up with the perfect plan. I'm going to share it with you (Thanks Mrs. Clark!)

I thought it would be helpful for you and for me and any student teachers I may have in the future if I wrote out my 'first day script'. Sometimes it can be daunting to think that you have to go over ALL of your procedures the first week of school....and I definitely don't do that. I go over the main ones: how to line up, what to do when you first walk in, what my expectations are and I save the painting procedures for the first day of painting.

I am a firm believer that my very best lessons are scripted. I am not suggesting that I write an extensive script like the one below for every lesson, but I do spend my drive to work and my morning duty time rehearsing what I am going to say and in what order so that when the kids come in, I know what will work best and I can be confident in my delivery.

Be advised, I've done the lesson plan you are about to read over 60 times....and over a hundred if you count the number of times I have done it with my older classes using a different first day of art project. 

Look for my second day 'script' coming soon.

When students arrive, I show them to their seats. I always request that the teachers kindergarteners to art wearing name tags the very first week. This is tremendously helpful since some kids can't say their 'r's and when I ask their name it sort of sounds like 'raryawa' and I am totally confused. With a name tag, I can call everyone by name.

I point to the chairs and assist each student to their 'new' art seat. I try to put two girls and two boys at every table. If it appears that one might need special assistance (because of behavior issues or special needs, I try to put them a table near the front).

First I tell them my name and then have them repeat it. I say, 'Welcome to art. Look around, this is the art room. We will be doing all kinds of fun things this year, today we are going to do a drawing but sometimes we will paint, color, fingerpaint, use clay, markers, we will cut and glue and do all sorts of fun projects this year.'

"I must tell you, art may seem like you are in here for a long time. That's because you are. Art is 50 minutes (I say, dramatically). Almost an hour, and every minute is important because we have to have plenty of time to clean up any messes we might make when we paint or do messy projects. You will have art every Friday Morning. You get to have p.e. three times, and music two times, but art is only one time each week.'

'When you come to the art room, you will sit in the same seat you are sitting right now, each week. Look at who is sitting beside you, and across from you. These are your new teammates. Because in art, we play a game every week. You are now part of a team...' Pointing to each table color I say, 'You are the red team, you are the yellow team, you are the green team, etc.'

'And if you come in and sit down quietly I will mark a star on the board beside your team color.  I will keep marking stars all the way down until each team has a star. At the beginning of art, you have a chance to earn lots of stars because I am usually giving you instructions or demonstrating what to do or reading a book. I need everyone to be quiet while I am talking so I want to reward you with stars if you are doing a good job. '

'Now, sometimes I may only give one star to one team. Or I may go all the way down marking stars and I might skip your table.....that means I am trying to get your attention.'

'There might be times when I need your attention but marking stars doesn't work. Perhaps someone at your team is talking or messing with the other team members instead of paying attention. I would give that team a 'first warning' by saying 'blue team, Stop talking. This is your warning, you are about to lose a star.'

'Sometimes that works. But sometimes, I have to erase a star from blue team if they keep talking after their official warning. Now, they can always earn that star back by doing what they are supposed to do, but by that time, they will be way behind the other teams.'

'Now, let's say that there is one person who is having a bad day. One person who is talking or messing with the other kids in the room and taking a star away doesn't work. Maybe this person is starting a fight or having a tantrum. Rather than keep him or her at the table, I would send them to timeout.'

At this point I always ask someone to be my volunteer and pretend to be in trouble. I send that volunteer to the timeout table.

'Do you see Johnny, in timeout? Okay now everyone, pretend at your table like we are finger painting...do it, pretend to fingerpaint. Okay, now look over your shoulder and smile at Johnny. Because you get to have fun and fingerpaint, and he does not...he is in time out....does time out look like a fun place to be? NO! You don't want to get sent to timeout in art because you would miss out on fun things and I also send a note home to your mom and dad and you teacher will see it...so you will probably get in trouble again with your teacher and your mom and dad.'

"Now, Johnny, you can go back to your seat, everyone clap for Johnny....you have to be very brave to pretend to be in trouble. I'm giving Johnny's team an extra star. I have had kids who were pretending to be in timeout, that actually started crying because they though they were really in trouble, even though they were my volunteer.'  

'You will earn stars at the beginning of art, and you will earn lots of stars at the end of art. At clean up time, you have a chance to jump ahead of the other teams if you are the first team that is cleaned up and ready. At the end of art, every week, you will hear me say "ONE MINUTE WARNING". Once I give the one minute warning, I will be watching the clock, and backing over towards the lights. Once one minute is up, that is when I will flip of the lights. When the lights go out, you need to be in your seat, the supplies slid into the middle and your head goes down. Let's practice.'

'I want you all to pretend like you are cutting something out. When I say 'one minute warning', pretend to cut really fast, or stop cutting and slide your scissors in the middle. When I get over to the lights, you have to put your 'pretend scissors' down and put your head down. Let's do it. ONE MINUTE WARNING. '

'After the lights go out, put your heads down, and I will rush to the board to mark stars for the teams that are ready. Ooh, red team is totally ready...green team has some trash on the floor, pick it up!....blue team, sit down....Sally, hurry back to your chair from the trash can, time is up!! I will be quickly marking stars on the board.'

'The team with the most stars at the end of art will win a prize. Today, you may pick one high five sticker. Sometimes I may have glitter stickers...or rainbows, or footballs, or dinosaurs. Hold up one finger. If your team wins, you get ONE sticker. Only ONE team can win...so you won't get a sticker every week, only one table...the best table gets a prize, so you DO want to earn stars by sitting quietly and cleaning up.'

At this time, I cross to the expectation posters I have in the room.

'In art, I expect you to be 'polite listeners,' I say, pointing to the poster that says BE A POLITE LISTENER.  'Being a good listener means you are looking at the teacher, keeping your hands and feet quiet. Give yourselves a pat on the back, you are all doing that now!'

Pointing to the other posters I explain what each one means: USE ART MATERIALS WISELY (do not cut your clothes, do not paint your hand, BE A GOOD TEAMMATE (sharing, using manners), SHOW RESPECT TO OTHERS (don't say mean things about other people's artwork).

'In art, I want you to learn, have fun, but I also want you to stay safe. Take a look over here,' I say, pointing to the sink. 'In art, students do not use the sink. See how there is a 'hands-off' symbol posted near the sink? That means DO NOT TOUCH HANDS OFF.' I turn on the water, 'the sink is dangerous because the water at the school gets very hot in the art room...I don't know why but I have scalded my hands in the water because I forgot and turned it on hot...it is dangerous...and it is loud when the water is running!'

'Right here we have the drying wracks...say that 'drying wracks'.....'Do not bang on the drying racks, they make lots of noise and it is loud and annoying.'

'Perhaps the most dangerous thing in the artroom is the paper cutter,' I say, pointing to the paper cutter. Sliding a sheet of paper under the blade, I pull it down, making a loud SLAMMING noise...'Never, ever touch the paper cutter...don't even joke about touching it. DANGER!'

I make my way over by the smartboard. 'This is the smart board, say that smartboard. This like an awesome big screen t.v. that hooks up to my computer, I can show you all sorts of things on my computer using this camera (pointing to the projector)....but please do not touch it. Do not touch the pens at the bottom because you could tear them up...do not use art supplies over here and do not touch it with your messy art fingers...this is very expensive and if you tear it up, your parents would have to buy me a new one and it would be more expensive than any big screen t.v. you might have at home.'

 'The last thing I want to show you is how we line up. In art, we line up here. We make a boy line and a girl line,' I say pointing and standing in the spot where we line up.  Sometimes the line leader does not line up first because the line leader might be getting a sticker...if you are the first girl or the first boy over here, save a spot for the line leader so they may come to the front when they get to the line'.

'Now, does anyone remember my name?'....crickets.....

'My name is Mrs. Mitchell. Say that with me: Mrs. Mitchell'.

'Now, I just showed you three spots in the room with a hands-off symbol: everyone point with me to the SMART BOARD, very good....now point to the SINK.....very good...now the PAPER CUTTER....never touch the paper cutter, very good."

'We are about to get started with our project for today, but first, I need to see how big you are...and tall you are...everyone STAND UP.'

We have been sitting for way too long at this point, and the kids need to move a bit before we start the project. 

'Very good....wow, you are tall....you are big....now, raise your hand if you are 5....good...now raise your hand if you are 6.....very good....now raise your hand if you are 7? 4? Okay great, everyone in this room is either 5 or 6 or 28! Now, show me your muscles! Wow, you are big and tall and strong, very strong!"

'Now, sit down.'

'Today, we are going to be drawing ourselves on a piece of paper to be as big and tall as the paper. I know that some of you might think that you already know how to draw people, but I want you to draw what I draw....because I want to see if you can do that. So here is what I want you to draw....'

'First, draw a circle for your head. Give me a thumbs up if this looks easy and a thumbs down if this looks hard. Easy or hard? Easy, okay...now, draw two lines down for the neck. Easy or hard? Easy, okay...now draw a box, or a square or a rectangle shape for the shirt area....easy or hard? Easy...okay, some of you are saying hard. So here is what we will do, if you think you can do this, I want you to draw these three things and then stop and hold up your paper.


Once I look at it, I will give you a thumbs up...you can put your paper down...and then wait for me to check everyone else's...if you think this is hard, draw the head and hold up your hand and I will try to help you with the rest. If you see me give you a thumbs up, put your paper down....and wait....if I say 'make it bigger, draw another line' or whatever, make the changes and then you will be ready for the next step. I'm going to give you paper, and a pencil tray. There are 4 pencils on every tray. Please try not to bite off the erasers....on Friday, I picked up a tray and all 4 erasers were bitten off----EW! gross!'

This is one of my favorite drawings ever!!
Pass out supplies. Assist as necessary. Sometimes I get them started with the head...sometimes I try to draw all three and have them just add legs and arms...Depending on where they are developmentally, some students are incapable of drawing a human with a neck, a body and arms and legs...especially if they still see humans as a circle with arms and legs.

This project gives me an indication of where they are developmentally. If they can add lots of details, they are advanced...if they can't even finish when I draw the first three things, then they are way behind.

Draw remaining steps: legs and arms, hair, and face details. Have everyone go step-by-step with me. Have students point to the shirt, then draw something they like on the shirt, whether that is spongebob or a football or hearts....Now if students know how to write their name, I have them write their name on the front.



 Demonstrate how to trace over lines with a sharpie marker. Explain that sharpies can ruin a perfectly good drawing. Never draw with the sharpie on the back! Never scribble over the whole paper, it will be ruined. Show them an example of one that IS ruined!


'Now sharpies can stain your clothes and skin so be careful!' While students are tracing their drawings, I go around the room and help the ones that can't write their names.This is also when I go to each student and write their name down in my seating chart book....if teachers send them with name tags, it helps tremendously. I always request name tags!

If time allows, give students erasers to erase any pencil lines that still show through.

By this time, we only have about 5 minutes left.  I announce the 'ONE minute warning'...and watch to see that they are nearly ready....then I have them put their papers in the middle, start putting their heads down as I flash off the lights. I rush to the board and mark stars for teams that are ready. I give stickers to the team with the most stars, and then line up the the other tables by the door. I remind them to save a spot for the line leader as they line up.

At the door, I have them repeat after me: "S-M-I-L-E'...emphasizing the 'eeeeee' so that it makes them smile....I say, Smiles on, voices off, we are going in the hall....just as I open the door and greet their teacher. I try to remember to ask if anyone was absent when they arrive, but sometimes I ask at the end, so that I can write their name on a sheet of paper so that they will have a paper to draw on the very next week.



And that is how I do it. It may seem like I talk a lot...and I do...but I try to move around...it is probably the longest lecture I give the entire year to kindergarteners...and it is only between 15-17 minutes at the most.

***This post was originally created for another blog that I used to have. I printed it out in color, and I now refer to this to help 'prep' myself for the 1st day of school. I'm thinking of recording myself doing this whole thing so that I only have to do it once this year......
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    PictureWelcome!

    Mrs. Mitchell

    Art teacher from Missouri. 

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