Last year's room tour. This year was so much easier because I am not moving art rooms! I'm simplifying a few things and improving organization overall but not much is changing! 

I dyed all of the fabric on my bulletin boards and desk using the shibori method and it is still looking good so I decided to leave it up. I used liquid starch to 'adhere' it to the front of my metal desk and staples to affix it to the cork boards. 

I decided to make a supply station to hold my supplies and this is a little more centralized and not directly under the portfolio shelves so I think it will work out a lot better. I added nails on the side of the bookshelf to hold the rulers, protractors and some circle templates and I tired to put all of the 'art 1 supplies on one side. 

I love the size of my room. I have a class that is split with half students in advanced 2D design and half in 3D design (with a few in AP classes). The size of the space allows me to have some working on wheels or hand building while others are in more focused drawing/painting activities. I changed the layout from 4-desk tables to 3-desk groupings facing the front. I hope this will be a welcome change. 

The rug in this book corner is from World Market, it is for patios so I think it will take a lot of wear and tear. 

View from the back of the room looking towards my desk. I love having a T.V. to use for displaying announcements, showing videos and slideshows. 

 I decided to add lighting under these cabinets. I found some on amazon and the wire shelves are from Home Depot. I wanted to make this space a little more user friendly for hot-glue guns, wood burners and chrome books, so I added the power strips with velcro tape.  

Bought these. Ended up not liking the motion sensor and had them re-wired to not use the motion sensor, plugged them into a switch that I can command with a remote.  

The wire shelf with cleaning supplies is new this year! The mirror I made mid year from a mirror sent to me from Wayfair....it arrived broken so I used the shards to make a mosaic to look like a mirror from the Jungalow. 

I decided to be more consistent with cell phone rules this year so I made a 'jail' charging station so that the phones have a safe place to go if they are becoming a distraction....I added a couple of chargers, but plenty of spots for multiple students to charge them at once. Link to pocket chart. Link to power strip. 

Here is a view of my cabinets without lighting and before the wire shelving was installed. 

I don't think everything will ever be 100% organized but its fun to make it better each year. Thanks for reading!

I'm also including my amazon wish list, in case you want to se what I did not buy this year but I would like to have for the room in the future. 

TThe last week of June, I was selected to participate in the Educators ArtLab at the Kansas City Art Institute. To get into the program, I had to submit a digital portfolio of my work and my student's work. There were 3 options for 'Major Studio': painting, product design and photography. I am so glad that I was chosen to participate in the Painting Major Studio. I was one of 11 other teachers from around the country and we worked with the amazing professor Jonah Criswell. 

Going in, I really did not know what to expect. We had a supply list to bring with us, but I didn't know anyone else who would be part of the program so I was excited to make friends with some new art teachers. I did not realize that they would be from so many far away places...I thought many would be from Missouri, but there were only three or four other Missouri teachers in the entire program. I was taking the residency as a class and paid a little extra to get 2 graduate level studio art credits. 

We stayed in the residence hall and ate mostly in the student cafeteria for meals. The first thing we did when we got to campus and were settled in, was to take a tour. Many famous artists have attended the Art Institute including Nick Cave and Walt Disney. We got to see many of the art studios and facilities on campus. 

The first night, they treated us to a wonderful meal in the restaurant of the Kemper Museum. The meal was good, and it gave us a chance to break the ice and start talking to other teachers and find out where they were from. At my table, there were teachers from Ohio, Colorado, Oklahoma, and Texas. 

That night, a few of us took a walk over to the Nelson-Atkins just to check it out. 

The next day we started our first class on campus. The 11 of us painters went to the painting building, while the product design people were in the lab designing stuff to be 3D printed and the photographers were planning their photo series for the week. The photography and product design groups were a little smaller. I heard that painting was the largest group because so many people want to do the painting class, but it is hard to get into. In fact, there were a couple people in the other studios that really wanted to be in painting but did not get in. I felt proud that I had been selected. 

That morning, Jonah did a demo on how to get started painting from a live model. He went over how to set up our palette with warm/cool colors and how to look at the lighting in the mostly white room. He learned our names quickly and I was very impressed by how funny and engaging he was as an instructor. 

When you take a class like this, it is always funny because you think that you know a lot about art, until you hear someone else explain it better...and then you realize that you don't know anything and you start to doubt yourself and try to hold in all of the information as much as you can. The new input wants to burst out as quickly as it goes in, I wanted to write down every nugget of information so that it would stick in my brain. 

After working from the model in two poses, I've never went straight into painting from a model, with no time do sketch things out, and mixing colors on the fly because she will only be in the pose for 45 minutes to an hour, you have to work so fast. Our assignment after the model finished was to select a part of our painting and blow it up bigger, to create an abstraction. 

We had lunch and then Jonah gave a great lecture on art history. He talked about Abstraction, Modernity and Modernism. 

My main take away from this lecture was thinking about how atmosphere, zeitgeist, process and existentialism influenced the artists in the abstraction movement differently. Also, society was changing and people of the middles classes were trying to find a language to describe internal feelings and struggles. They borrowed terms from music to describe art and and color became a metaphor. 

Great quotes: "The reconstruction of society, nature, the mind and material construction became a frontier for thought in ways that previous generations were not able to entertain, due to the power and disposition of entrenched institutions."


"As older institutions lost power, there was a search for newer ones, spirituality underwent many avant garde changes, the personal, mystic experience was often at the center of surrealist and abstract artists interest, ritual occult practices, although not popular were also en vogue. The independence streak of Modern people’s zeitgeist resisted the success of this kind of new medieval iconography but it remains an undercurrent, complimenting Freud through Jung."​

After the lecture, we were able to move our stuff into individual studios upstairs. Here, we could work on whatever we wanted as artists. We had all afternoon to work and we did! All the way until dinner. Jonah came around while we were working and talked to us individually about our work. He told me to check out some contemporary painters: Susan Lichtman and Eve Mansdorf. 

Tuesday was a lot like Monday with a lot of time to work from the model in the morning, and a lecture in the afternoon. Tuesday morning, we had to take a piece from someone else's artwork and repaint it, continuing it on abstractly to create a new image. 

My take away from the lecture was that people started to use less content, with the purpose of imposing a strong feeling about an image to invoke meaning. Many connections were made with contemporary artists and how they relate to the original abstract artists in the early 20th century. (Julie Mehretu, Dana Schutz)

Quote from the lecture:
"Modernism is the title given to a kind of aesthetic ideaology, or project that was in some ways superimposed upon the activities of many artists, thinkers, architects etc. Its fundamental argument is that the new age required a new orientation of the traditional arts to more sufficiently explain being and thought. Industrialization, Darwinism, modularity and the rise of American culture and industry (due to its remaining infrastructure after ww1 and ww2) allowed for this notion of “newness” to be deeply inspiration in midcentury American artists."

My biggest take away from this lecture was how does it feel to be alive as an artist in the world right now? 
​

Can I just say that when you are trying to synthesize such deep information, decoding what it means to you and recreating new artwork based on new input and new ways of looking at the world, that is some heavy stuff. Tonight, myself and another artist decided to skip dinner and keep working and then grab something later. We worked until 6:00 and then went to a little gallery show at the H&R Block Space. After the gallery show, we took an Uber down to the Crossroads district. I took them to a couple of my favorite KC places (Extra Virgin for tapas and the Green Lady Lounge) and before heading back to the Art Institute, we walked up to the Power and Light District. We took an Uber back to campus. 

Wednesday morning, I got up early but I was tired. We realized that this would be the last day with the model because we needed to wrap stuff up on Thursday to prepare for an art show on Friday. We painted a beautiful composition of the model in a lounge chair. I didn't really like any of my paintings of the model, I told Jonah that what I was doing in the class was just playing around but what I did upstairs was 'business'. You can see one of my paintings from the model session below, along with my studio space and a photo of the painting building. 

Wednesday was a tiring day. We painted from the model, and our assignment was to think about warm and cool reds/yellows/and blues as a way to create depth. Warmth of the paper can activate cools, or cool paper makes cools recede. 

Jonah was not afraid to paint right on our paintings to demonstrate something. "What is this, work for your show at the louvre," he joked. Jonah encouraged us to find 5 hours a week to work on our own artwork. He said that teachers are like Ferraris, we are always on and moving fast. 

Wednesday afternoon, we worked in our studios and after dinner, Jennifer and I walked to a little pub in Westport. We did not stay long and then we went to bed early. Thursday, I woke up early to put some extra time in the studio. I was in my studio by 6:00, I was the first one over there and I made a lot of progress on my painting. 

Thursday morning, we did not work from the model, we just worked in our studios. After lunch, we walked over to the Nelson-Atkins to see the 30 Americans Show. After that, we carpooled to the West Bottoms to see Jonah's studio. Dinner that night was in the banquet hall on campus, they catered Q39 BBQ for us. After a presentation about portfolios from the recruiting office, we had to hang our show in the gallery. 

Friday morning, we took down our work from the show and moved it into the painting room for our critiques. We critiqued 5 students and then took a break and critiqued 5 more, spending about 10-12 minutes on each one. Before the critiques, Jonah talked to us about critiques, how to use nonverbal cues, and have a written option for students. 

Jonah provided very thoughtful insight into our work and gave each of us very different advice. He told me: "You are a very gifted artist. You are running on a 6 cylindar but you don't turn it on very often. You need to trust your instincts with your camera, don't be afraid to make it uglier. You can make art that looks good, but you've done that before you have found yourself as an artist. You have a need to be a good wife, career, friend and artist at the same time, you need to make artwork that is like if you won the lottery/ship is going down." 

Wow, I've never had a critique like that in my life. It felt good to be noticed as an artist and a person and to be respected. 

After the critique, we had lunch at the Nelson-Atkins in their beautiful restaurant. We rehung our artwork for the show real quick and then we invited the 'public' in to see the work.


​Not many people came to see, but it was fun to see what the photography students and the product design students had been working on.



Also, I won a prize for my social media use of our hashtag (you can use it to see more images from the week on instagram) #kcaieal #eal2019  My prize was geli plates!